Download Citation | On Jul 7, 2005, Amie L. Thomasson published The Ontology of Art and Knowledge in Aesthetics | Find, read and cite all 

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of artists and their audiences.

The ontology of works of art does not map neatly on to these classifications, however. In the plastic arts, a wide variety of media and structures are used. In music and drama, not all works are for performance; for instance, tape compositions and theatrical films are not. Not all works of a kind are organized at the same levels, and higher

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting

Timothy Morton Features 10 December ArtReview. Chris Wainwright, 'Red Ice', , c-type print. Courtesy the artist. From the ArtReview archives: one of the thinkers associated with 'object-oriented ontology' argues that we've been thinking wrongly about art since the beginning of the Anthropocene. For object-oriented ontology

Proper response to an artwork—whether sculpture, painting, poem, or music performance—depends upon what that artwork is and what features it possesses. Ontology 

19 ONTOLOGY OF ART Guy Rohrbaugh Ontology is the study of what exists and the nature of the fundamental categories into which those existents fall.

53. Proceedings of the European Society for Aesthetics, vol. 5, 2013. Page 2. Adam Andrzejewski. Artification and the Ontology of Art relationship between 

Sep 28,  · Definitions of “art” attempt to clarify this status, but are not a properly ontological investigation. The work left to ontologists involves characterizing those items that achieve this

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting for further philosophical investigation. Ontologists of art seek to locate works of art in this wider terrain, to say where in our universe they fit in.

The ontology of art is a subfield of analytical aesthetics which aims to pro-vide information about the way in which works of art exist and last. It often draws on the findings of general metaphysics, epistemology or the-ory of culture. The aim of this essay is to show that the ontology of works

The term ontology in information science arises from philosophy where it represents "the science of what is" (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy, there is no unique definition

In English-language philosophical publications, the earliest reference to the tale and to its implications for the ontology of art appears in Savile’s (1971) essay on Goodman’s Languages of Art (for background, see the entry on Goodman’s aesthetics). Subsequent references to the story’s philosophical implicati See more

ART, ONTOLOGY OF Ontology is concerned with what exists. So one may think the ontology of art is concerned with whether artworks exist.

an ontology for a subset of art. Influenced by the recent interest in colours and colouring materials, mainly shared by French researchers and linguists, an ontology prototype has been developed to organize and catalogue information about artists, art works, colouring materials and related colours. The aim of the present ontology is

The ontology of works of art does not map neatly on to these classifications, however. In the plastic arts, a wide variety of media and structures are used. In music and drama, not all works are for performance; for instance, tape compositions and theatrical films are not. Not all works of a kind are organized at the same levels, and higher

An Ontology of Art book. By Gary P. Bagnall. Book Law as Art. Click here to navigate to parent product. Edition 1st Edition. First Published 1996. Imprint Routledge. Pages 30. eBook ISBN

First published Thu Feb 4, ; substantive revision Tue Aug 6, 2019. Heidegger is against the modern tradition of philosophical "aesthetics" because he is for the true "work of art" which, he argues, the aesthetic approach to art eclipses. Heidegger's critique of aesthetics and his advocacy of art thus form a complementary whole.

Welcome to ONTOLOGY A dive into the artist's soul, celebrating the sensual, the wild, the imaginative, and the erotic nature of the mind. Fine Art at Your Fingertips About

The ontology of art attempts to understand the ontological status of works of art such as painting; sculpture; musical works; literature; drama; prints and other art forms. Determining what kinds of artworks exist and what kind a particular artwork is, requires examination of these different art kinds with respect to their existence, identity

Rather than attempting to make conjectures about such difficult exegetical topics, this entry focuses primarily on contributions made by authors who explicitly address themselves at length to some of the aforementioned questions pertaining directly to the ontology of works of art, either in general or with reference to such major art forms as

Gregory Currie - - Journal of Aesthetics and Art Criticism 68 (3):235-241. The Ontology of Art.Guy Rohrbaugh - - In Berys Gaut & Dominic Lopes (eds.), 

Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists.

I will argue that curated exhibitions are an ontological hybrid: a combined ontological entity. The hybrid theory maintains that a curated exhibition comprises 

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of 

May 23,  · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,